I bought this great little wood engraving print by Anna Hogan at this summer’s Letterpress Guild / Museum of Printing fair, and really loved a lot of her other work. (I literally ran out of cash, or I would have bought another print or two from her).

I was very glad to receive a beautiful invitation to the opening reception to a show of her work at the museum on October 23. You should try to catch her show [more info].

In genral, I’m really pleased to see how much stuff is going on at the Museum of Printing. Lots of good stuff happening there lately.

It’s been a while, hasn’t it?

The Rainy Planet Press has been more or less on hiatus for some time, because of a new Rainey in our life: Rainer Eli Wise Ball, born July 17.

Just five short days before he was born, we rallied some friends and moved the press from our digs at Joy Street Studios in Somerville to some more industrial space in Medford. We don’t get to take advantage of the open studios– not that we ever did– but we do get some cool new studio mates, it’s much closer to home, and it’s a heckofa lot cheaper.

Unfortunately, the newborn takes up a lot of time and we haven’t *quite* gotten the press all back in working order.

But! Look for that to change soon.

[via Lauging Squid]

       

Much missed, at least by me, was Leslie of the Sea Dog Press (who sent along these Obama signs since she couldn’t make it in person) and Kelley of May Day Studios, (who printed the lovely invitations to the event)

The Somerville Urban Country Fair is also tomorrow in Union Square; Shelley and the Albertine Press posse will be there, as will myriad other crafty people.

The Boston Zine Fair is tomorrow and Sunday, September 21, at the Boston Art Institute on Newbury Street.

Also– and this is not letterpress related at all, but I do like beer– the Mercury Brewing Company’s harvest party is up in Hamilton on Sunday afternoon.

There is way too much action this weekend!

At precisely 11:44 a.m., Scott Fahlman posts the following electronic message to a computer-science department bulletin board at Carnegie Mellon University:


19-Sep-82 11:44 Scott E Fahlman :-)
From: Scott E Fahlman

I propose that the following character sequence for joke markers:

:-)

Read it sideways. Actually, it is probably more economical to mark things that are NOT jokes, given current trends. For this, use:

:-(

But the article also delves into historical precedent for using typography to convey emotions, and here’s where the letterpress / antique typography angle comes in:

In 1881, the American satirical magazine Puck published what we would now call emoticons, using hand-set type. No less a wordsmith than Ambrose Bierce suggested using what he called a “snigger point” — \__/ — to convey jocularity or irony.

I’ll start with the two vendors who sat to the left and right of the Rainy Planet booth. Both were new to the fair, and are extremely talented artists.

To our left was Jenn Ski. Her real name is longer, and I can’t spell it without looking, but it’s probably not going to annoy her if I don’t mention it here. I bothered to print it out in full on her vendor name tag, and she said (and this is not an exact quote) “oh, you wrote the whole thing out, nobody calls me that”. So there you go. Just call her Jenn Ski.



Whatever you want to call her, her prints are really nifty, and all my friends who have the mid-20th-century design inclinations would do well to patronize Jenn’s Etsy store, and read her great blog. Which is updated with enviable frequency.

To our right was Paper Breakfast which was Hannah and her beau (whose name I sadly forget… I really should get better at these things… was it Jonathan?). As coincidence would have it, it turns out that Terri and our friend Editrix took a bookbinding class with Hannah last fall (and Terri also took one with Kelly of May Day Studio, also a vendor at the fair). Anyway, we totally loved their stuff, and spent more money at their booth than we made selling our own stuff. We picked up a tiny animal book, two prints, and a card. If we were infinitely wealthy we probably would have gotten more.

I really loved the albino deer etching, but I do think that the digital version is a pale imitation of how great this is in person: it’s all about the blind deboss and the 3-dimensionality. Also check out her handmade, limited-edition book,
The Pie Eaters (pictured at left).

• An Adams-Washington colonial-era hand press printing a faux “Good News” newspaper
• A 100-year old newspaper press re-printing the last issue of the last letterpress-printed newspaper in Massachusetts
• Demonstrations of bookbinding, papermaking, paper marbling, lithography, typesetting, and letterpress printing
• hands-on printing activities for kids and adults
• over a dozen vendors selling stationery, art books, journals, broadsides, paper goods, and printing equipment
• the museum and library will be open
• it’s across from the picturesque North Andover common.

Here’s my Flickr photoset from last year’s fair.

Why does the lede assume you don’t know what a font is? (”Unless you’re in the design or publishing industry, David Berlow won’t bother explaining his line of work to you.”) I mean, honest to goodnes, it’s 2008, chances are, if you’re living in the US, you have used a computer, and if you’ve used a computer in 2008, you probably know what a font is, even many may quibble with the exact definition. And you have Steve Jobs’s short stint at Reed College to thank for it.

For my 2 cents, The Boston Globe is due for some kind of feature on local typography superstar Matthew Carter, designer of many many digital fonts including Georgia, Verdana, Tahoma, and Rainy Planet fave, New Century Schoolbook.